Slip-sliding Away

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On the far side of the pond bubbles braille the surface, cerulean blue, soft as morning stars. The air is still. Half light. The lilies rustle. Their posted buds stirred by a breeze of water sway like channel markers. There. Just off shore. Someone breaking fast. leisurely. Jaws worked in a whisper reaching across the silence there.
Then rolls. And dips. And disappears…
A beaver lodge stands nearby, they built this pond but that was no beaver. The texture of its fur, the shape and the way it moved. The smoothness of the dive and how the surface rose and closed, a navel of water, and what it brings to mind. That surface, opaque as skin, blind to what lies beneath.
Patience… Patience… The crease of a wake. Grainy light. No sound. The waters rake: A head appears. Oiled. Sleek. Coat as silky as a Tonkinese all umber and burnt ochre. Whiskers. Dark eyes. Fearless. That broad Boycat face so close –
And my heart leaps. And every hair is alive. I too am fearless I am soaring I see what I was sure I would never see again, a quarter century almost to the day:
We were making our way from the road down the steep banks of Herring Creek where the flood bores through the narrow. Behind us, back of the sluices, the weathered gray seine poles and the staggered fishing weirs worked by a people whose right went back a thousand years. But the herring run was over, only a few of the boney fishes swimming in place in the tidal rush, Squibnocket’s turn to pour its cup into Menemsha. The Snowy Egrets, bronzed by the shallow light had gathered in at the end of their early rising day. Black-crown Night Herons roosting in the trees were restless, preparing for their night of hunting. A changing of the guard. We’d just met, Valerie and me and I didn’t know a thing about her except that I liked her and was not sure how much she liked me. It was our first time together longer than a cup of coffee.
“Gold finch,” I said and handed her the binoculars, nodding toward to the bright yellow forms, each in pursuit of his opposite. “Osprey.” Valerie turned to follow the lead of arm. A kingfisher hovering. Swans. All the usual fare of late estuarian afternoon and then -
Round the corner of the creek one-two-three-four otters in slipstream, nose to tail, swimming with the flow. Uncaring of us and our close presence there they stopped to play not 15 feet from where we stood. Circling like dolphins, chasing the herring for the pure pleasure of it, not killing, (though they surely could if they’d wanted). And the fish off in a terror, the otters swirling and whirling in the narrow and that wallering call, “Walla walla walla walla walla walla.,” the laughter a walrus might make, so guttural, so deep for a creature so small. And all I can say is, “You’ll never see this again, this is once in a lifetime, you will never see this again. I’ve been waiting more than twenty years…”
The otter, alone and having had his look turns away, now head, now back, now tail slipping beneath. He comes up some yards off and looks again, and again dives, and surfaces. This time he has a bullfrog (the prey that brought him here) dangling from his mouth as if forgot, gaze still fixed on me, more intense than curious as if he has as much to tell as to learn. For the last time he slides below, leaving a silence so profound neither speech nor written word can ever break it, the only river otter I have seen in all that precious time, a Millennium between the then and now.
Valerie claims she knew she would marry me the first time she saw me watching her from a doorway across the room. But I know it was among the river otters, as if we were the reason of their coming and lingering and their vanishing, an arrow from the bow flying out and the arc of our lives to come.
Quo Vadimus? Will I mark the visitations of the otter as Meton marked the perfect cycle of the moon? Or like the precession of Polaris will the Return outlive all our works and days?
Life is not for the weak. Be brave.
* * *
- For Valerie, Cent’anni!

Channel Islands National Park

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Santa Cruz Island (at Scorpion)

From February 15 through the 23 I was on the California coast taking stills, video and making recordings of wildlife. I acquired a great deal of material, the product of which will be either heard on my segment of Living on Earth or posted here at Salt Marsh Diary over the next 5 or 6 months (it will take that long to write everything that needs to be written, and to edit sound and images). Of this work, the most concentrated and unusual material by far comes from Channel Islands National Park, this year celebrating its 30th anniversary. To say these islands are “gems” is to tarnish them: No diamond, no sapphire or emerald ever shone this bright. You will find a small sample of what I saw below. This is just a quick survey, but feel free to share your thoughts.

Mark Seth Lender March 1, 2010

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Elephant Seal Combat [males]

Coming this weekJuvenile Elephant Seal; Elephant Seal Threat Vocalization [female]; Channel Islands Fox

And MORE:  Photographs of Southern Sea Otter taken well north of the Channel Islands in and around Elkhorn Slough, Monterey Bay.

Wire to Wire

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Mountain Bluebird, wings beating time, follows the wire down the line. Her flight, a path that plies just above the barbs with which (in our pedestrian desire) we strive to set apart, cedar from silage; sweet corn from forest mosses; Nature from what we nurture: Untamed darkling wood, ungovernable rocks and rills from cows and fields in crop or fallow as they should. We divide. But when it comes to Mountain Bluebirds, Temperance on the vine, we consign what Bluebird seeks to find, nest boxes, arranged every twenty poles like pulses like hollows of the human heart.

Bluebird has come to depend upon our hand this to provide. Vindictive as we are against what is unkempt, our dread, our fell hand bringing the woods to their knees with two-man saw and chain saw. But insects still abound in the clearing and beyond at the green edge of what survives. And Bluebirds thrive.

Bluebird at the cross fence convenes with caution. First to the bleached twig with its empty pinecone. Then to the twisted pair of tines, shining, galvanized against weather sure to arrive. Though pressed by shortness of season, Bluebird hesitates. In her beak are beetles, cracked fluorescein green and crushed violet blue (though their legs and sometimes wings motor on in dumb refusal to the truth). She waits. Then comes to rest on a lichen-crusted tree, gray and yellow-green, unintended compliment to her cyan-washed Cerulean. She pauses. But now her Significant Other stands nearby, her guard and her decoy (Her muted hues a non-compete against his feathered lightning). Like a bolt from the blue he grabs that sprig of mullein just off to the side, it sways as he lands, his tail spread wide. He stretches his wings. Surveys the scene three-sixty degrees and while the world eyes the bright light of him… quick to the nest, she tips in.

Only two babies inside but they make quick work of the parcel she brings. No murmurings of motherhood (work is all she sees in them). Nor has she come for adult conversation: Through all her going, and coming, not one small word between her and him. She exits unceremoniously. He watches, his interest his only admonition. Fending off from the lip she launches into thin blue air, that collect call of the wild, answered in mime, quick-time, with care.  Bluebird toes the line!

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